Paysnick produces a beautifully tuned (and vibrato free) liquid tone.
— Tom Moore, Early Music America
there were brilliant solo turns for flauto transverso in imitation of a nightingale (marvelously rendered by Sarah Paysnick)
— Vance R. Koven, Boston Musical Intelligencer
...the haunting piccolo birdsong and soaring flute aria of the two “Air pour Zephire” (both solos passionately, immaculately played)...
— Boston Musical Intelligencer
Sarah Paysnick performed the prominent flute part with elegance, her tone creamy and consistent.
— Pamela Hickman’s Concert Critique Blog
The best performance of the Hamburger Sonata I’ve ever heard.
— CPEB: The Piano Quartets listener