Paysnick produces a beautifully tuned (and vibrato free) liquid tone.
there were brilliant solo turns for flauto transverso in imitation of a nightingale (marvelously rendered by Sarah Paysnick)
...the haunting piccolo birdsong and soaring flute aria of the two “Air pour Zephire” (both solos passionately, immaculately played)...
Sarah Paysnick performed the prominent flute part with elegance, her tone creamy and consistent.
The best performance of the Hamburger Sonata I’ve ever heard.
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